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Blown Away by Cultural Precision (Image Credits: Upload.wikimedia.org)
Los Angeles — Members of Bad Bunny’s performance team shared intimate reflections on the Super Bowl LX halftime spectacle after touching down at LAX, emphasizing its role as a tribute to Puerto Rican roots.[1]
Blown Away by Cultural Precision
A backup dancer named Chris captured the electric atmosphere in the aftermath. He described the show as a pinnacle achievement for Puerto Rican representation. Born and raised on the island, Chris noted how the production captured both its challenges and charms with striking accuracy.[1]
“I was blown away myself,” Chris told reporters. “I feel like it’s such a monumental moment culturally… everything they did culturally, I feel like they tapped in perfectly.”[1] The performance unfolded over nearly 13 minutes at Levi’s Stadium, featuring more than 300 dancers who brought vibrant energy to the field.[2]
Chris highlighted the personal significance of participating. He viewed the event as a historic benchmark for future artists from similar backgrounds.
Bad Bunny’s Hands-On Creative Drive
The Puerto Rican artist, known as Benito, immersed himself in every stage of preparation. Crew members credited him with shaping the narrative from rehearsals onward. His input ensured authenticity in visuals and choreography that evoked island life.[1]
“Doing this was beyond me,” Chris added. “I was fortunate enough to be a part of this and it’ll be part of history forever. To all those people that wanna do stuff after me, I feel like this was a stamp from time to know that you can do that.”[1] This level of involvement elevated the show beyond standard entertainment into a cultural statement.
The opener, “Tití Me Preguntó,” set the tone vividly. Bad Bunny emerged from simulated sugar cane fields, interacted with a street vendor for shaved ice, and passed it to a taco cart operator onstage.
Star-Powered Surprises and Collaborations
High-profile guests amplified the production’s reach. Lady Gaga joined for “Baile Inolvidable,” while Ricky Martin added flair. Other appearances included Pedro Pascal, Cardi B, Jessica Alba, boxers Emiliano Vargas and Xander Zayas, and Atlanta Braves star Ronald Acuña Jr.[2][3]
- “Tití Me Preguntó” — Explosive start with cultural props.
- “Yo Perreo Sola” — High-energy crowd pleaser.
- “DTMF” — Climactic track showcasing dance prowess.
- 11 songs total, blending hits from recent albums.
Victor Villa, owner of Villa’s Tacos in Los Angeles, seized a surprise moment during the opener. He manned the onstage cart and praised Bad Bunny afterward.
“I thank Benito for that, for bringing all the Latinos together and really giving us a platform,” Villa said. He called the star “a man of so much love” and reported a surge in business post-exposure.[1]
Lasting Echoes of Unity and Pride
The halftime drew mixed responses, with some praising its joyful vibes and others critiquing the Spanish-only format. Yet performers underscored its unifying intent. Bad Bunny had previewed it as accessible through dance alone, no language barrier required.[2]
Key Takeaways
- Puerto Rican culture dominated the narrative, from scenery to steps.
- Bad Bunny directed details for authentic storytelling.
- Crew sees it as a blueprint for global stages.
Super Bowl LX pitted the New England Patriots against the Seattle Seahawks, but the halftime etched a new chapter in entertainment history. This fusion of music, dance, and heritage left an indelible mark. What aspects of the show resonated most with you? Share in the comments.
Besides founding Festivaltopia, Fritz is the managing director of Europe’s largest manufacturer of mobile stages Kultour and has a lot of experience in the event industry, loves music and likes to go to festivals.
