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The Bald Eagle: A Bird Franklin Branded as Lazy
Most Americans would be shocked to learn that Benjamin Franklin actually opposed the bald eagle as our national symbol. While history books paint a simple story about the 1782 Great Seal selection, the truth reveals deeper controversy. Franklin wrote a scathing letter to his daughter in 1784, calling the eagle “a bird of bad moral character” who “does not get his living honestly.”
Franklin argued that the eagle was “too lazy to fish for himself” and preferred to steal prey from smaller, hardworking birds. He observed how eagles would swoop down and rob fish from osprey, then retreat when challenged by smaller birds like kingbirds. Franklin praised turkeys instead, writing they were birds “of courage, and would not hesitate to attack a Grenadier of the British Guards who should presume to invade his Farm Yard with a red Coat on”.
The eagle selection wasn’t even Franklin’s doing—Charles Thomson, secretary of Congress, created the winning design by borrowing from three failed committee attempts. Modern researchers now question whether Franklin’s turkey preference was serious or satirical, but his harsh eagle critique remains historically authentic.
Uncle Sam: From Meat Barrels to National Symbol
Samuel Wilson was a meat packer from Troy, New York, who supplied barrels of beef to the United States Army during the War of 1812. His company stamped barrels with “U.S.” to indicate government property, but soldiers who knew Wilson’s nickname “Uncle Sam” began joking that the supplies came from their friend.
Wilson’s firm secured a massive contract for 2,000 barrels of pork and 3,000 barrels of beef for one year. Most of this meat was shipped to a camp of 6,000 soldiers in Greenbush, New York, where soldiers familiar with Wilson made the connection between his nickname and the “U.S.” stamp. Over time, any army property marked “U.S.” became linked with “Uncle Sam.”
However, modern historians have found problems with this neat origin story. Researcher Donald R. Hickey discovered a reference to Uncle Sam in a U.S. Navy midshipman’s diary from 1810, predating the War of 1812. Despite these doubts, the 87th Congress officially recognized Wilson as “the progenitor of America’s National symbol of Uncle Sam” in 1961.
The Statue of Liberty: Egypt’s Rejected Lighthouse
America’s most iconic symbol has a secret Egyptian past that few Americans know. In the late 1860s, sculptor Frédéric Auguste Bartholdi approached Khedive Isma’il Pasha of Egypt with plans for “Progress or Egypt Carrying the Light to Asia,” a massive lighthouse featuring an ancient Egyptian female peasant holding a torch at the entrance to the Suez Canal.
Bartholdi originally envisioned a dark-skinned peasant girl in Egyptian robes, which he called “Egypt Carrying the Light to Asia”. The statue was designed to stand 86 feet high with a 48-foot pedestal, serving as both monument and lighthouse for ships entering the Suez Canal.
Both the Khedive and Ferdinand de Lesseps, developer of the Suez Canal, declined Bartholdi’s proposal citing the high cost. The Egyptian ruler also objected that the form resembled a peasant woman. When his Egyptian dreams collapsed, Bartholdi transformed his rejected lighthouse design into Lady Liberty, changing an Egyptian peasant into a Roman goddess of freedom.
The American Flag: A Teenager’s High School Project

The current 50-star American flag that flies over government buildings nationwide was actually designed by a 17-year-old high school student named Robert Heft in 1958. At the time, Alaska was about to become the 49th state, and Hawaii’s statehood was also anticipated, creating the need for a new flag design with 50 stars.
Heft created his flag design as a school project for his Lancaster, Ohio high school history class. His teacher initially gave him a B-minus grade, saying the design lacked originality. Undeterred, Heft submitted his design to his congressional representative, and it was eventually chosen from over 1,500 submitted designs.
When President Dwight D. Eisenhower officially adopted Heft’s design on July 4, 1960, the teenager’s teacher changed his grade to an A. The flag represents one of the most democratic design processes in American history—literally crowdsourced from a student’s homework assignment. Heft lived to see his creation become the longest-used version of the American flag in U.S. history.
The Liberty Bell: London-Made and Twice Broken

Despite being America’s symbol of independence, the Liberty Bell was actually manufactured in London’s Whitechapel Bell Foundry in 1752. The Pennsylvania Assembly ordered the bell to commemorate the 50th anniversary of William Penn’s Charter of Privileges, not the Declaration of Independence as many assume.
The bell’s journey to iconic status was rocky from the start. It cracked during its first test ring shortly after arriving in Philadelphia, forcing local metalworkers John Pass and John Stow to melt it down and recast it. Their first attempt produced a bell with poor tone quality, so they had to recast it again.
The bell’s famous crack, visible today, likely occurred sometime in the early 1840s during regular use. The inscription “Proclaim LIBERTY throughout all the land unto all the inhabitants thereof” comes from Leviticus 25:10, chosen by the Pennsylvania Assembly decades before the Revolution. The bell didn’t become known as the “Liberty Bell” until abolitionists adopted it as their symbol in the 1830s.
The Great Seal: Masonic Mysteries and Conspiracy Theories

The reverse side of the Great Seal, featuring the unfinished pyramid with the all-seeing eye, has sparked conspiracy theories for centuries. The design includes clearly Masonic symbolism: the eye represents divine providence, the pyramid symbolizes strength and duration, and the Latin phrases invoke mystical themes.
The 13 steps on the pyramid represent the original colonies, while the eye hovers above the unfinished capstone, suggesting America’s work remains incomplete. The Latin motto “Annuit Coeptis” means “He has favored our undertakings,” while “Novus Ordo Seclorum” translates to “New Order of the Ages,” not “New World Order” as conspiracy theorists claim.
Many Founding Fathers were indeed Freemasons, including George Washington, Benjamin Franklin, and the seal’s designer Charles Thomson. However, the Masonic symbolism reflected Enlightenment ideals about divine providence and human progress rather than secret society control. The seal appears on every dollar bill, making these “hidden” symbols visible to millions daily.
The White House: A Century Without Its Famous Name
America’s most famous residence wasn’t officially called the “White House” until 1901, when President Theodore Roosevelt made the name official. For over a century, it was commonly known as the “President’s House,” the “Executive Mansion,” or simply “the President’s Palace.”
The building was painted white from the beginning to protect the porous sandstone walls from moisture, not because it was burned by the British in 1814 as popular myth suggests. The white lime-based paint helped preserve the Virginia sandstone and gave the building its distinctive appearance.
Presidents and the press used various informal names throughout the 19th century. Even official government documents inconsistently referred to the building. Roosevelt’s 1901 decision to standardize “White House” on official stationery finally settled the naming confusion that had persisted since John Adams first moved in.
The National Anthem: A British Drinking Song

Francis Scott Key wrote “The Star-Spangled Banner” as a poem titled “The Defence of Fort M’Henry” after witnessing the British bombardment of Baltimore during the War of 1812. However, Key set his patriotic words to the tune of “To Anacreon in Heaven,” a popular British drinking song.
The original melody was the theme song of a London gentlemen’s club called the Anacreontic Society, dedicated to “wit, harmony, and the god of wine.” The song celebrated drinking, music, and love—hardly the solemn patriotic themes Americans associate with their national anthem today.
The irony of using a British tune for America’s national anthem wasn’t lost on critics. The melody’s wide vocal range and difficult high notes make it notoriously challenging to sing, leading to countless public performances that crack on “free” and “brave.” Despite these challenges, Congress officially designated it as the national anthem in 1931, more than a century after Key wrote the words.
The Pledge of Allegiance: Socialist Origins and Cold War Changes

The Pledge of Allegiance was written in 1892 by Francis Bellamy, a Christian socialist minister who was later forced out of his church for his radical political views. Bellamy composed the pledge for a magazine contest celebrating the 400th anniversary of Columbus’s arrival in America.
The original pledge read: “I pledge allegiance to my Flag and the Republic for which it stands, one nation, indivisible, with liberty and justice for all.” The words “under God” were not added until 1954, when Congress inserted them during the Cold War to distinguish America from “godless” communist nations.
Bellamy’s original vision emphasized social equality and workers’ rights, themes that would later conflict with Cold War patriotism. The pledge has been modified several times, with “my Flag” changed to “the Flag of the United States of America” in 1923 to ensure immigrant children’s loyalty to America rather than their countries of origin.
Political Party Symbols: Born from Newspaper Cartoons
The Democratic donkey and Republican elephant that dominate American politics both originated from the satirical pen of political cartoonist Thomas Nast in Harper’s Weekly during the 1870s. Nast first used the donkey in 1870 to represent the Democrats’ supposed stubbornness and foolishness.
The Republican elephant debuted in Nast’s 1874 cartoon titled “Third Term Panic,” where he depicted various interest groups as animals. The elephant represented the Republican vote, shown being frightened by a donkey disguised as a lion labeled “Caesarism”—a reference to fears about President Grant seeking a third term.
Both parties initially resisted these animal associations, considering them unflattering. However, the symbols proved so memorable and politically useful that both parties eventually embraced them. Nast’s animals became more influential than most politicians, shaping how Americans visualize their political system for over 150 years.
The American Dream: A Depression-Era Invention

The phrase “American Dream” wasn’t coined until 1931, during the Great Depression, when historian James Truslow Adams used it in his book “The Epic of America.” Adams defined it as “that dream of a land in which life should be better and richer and fuller for everyone, with opportunity for each according to ability or achievement.”
Adams wrote about the American Dream ironically during America’s worst economic crisis, when millions were unemployed and the dream seemed most elusive. He intended the concept to remind Americans of their founding ideals during a time of national despair and economic collapse.
The timing wasn’t coincidental—Adams wanted to distinguish American values from the rising totalitarian movements in Europe. His “American Dream” became a powerful rhetorical tool during World War II and the Cold War, helping define what America stood for against fascism and communism. The phrase has become so embedded in American culture that most people assume it’s as old as the nation itself.
Mount Rushmore: Tourism Scheme with Dark History
Mount Rushmore was originally proposed as a tourist attraction to boost South Dakota’s economy, not as a patriotic monument. State historian Doane Robinson first suggested carving faces into the Black Hills in 1923 to attract visitors to the remote region.
The monument’s sculptor, Gutzon Borglum, had a disturbing past that’s often omitted from official histories. Before Rushmore, Borglum worked on Stone Mountain in Georgia, creating a massive Confederate memorial. He was also affiliated with the Ku Klux Klan and held white supremacist views that influenced his artistic vision.
The location itself was sacred to the Lakota Sioux, who called the area “Six Grandfathers.” The U.S. government had promised the Black Hills to the tribe in the 1868 Treaty of Fort Laramie, but broke that promise when gold was discovered. Carving presidential faces into stolen sacred land adds another layer of historical irony to this “patriotic” monument.
Baseball: The Doubleday Myth

The story that Abner Doubleday invented baseball in Cooperstown, New York, in 1839 is complete fiction, yet it became entrenched as patriotic lore. The myth was created by Albert Spalding’s commission in 1905, which wanted to prove baseball was purely American rather than derived from British games.
The commission relied on the testimony of Abner Graves, an elderly man whose memories of events 60 years earlier were questionable at best. Graves claimed he witnessed Doubleday draw up baseball’s first rules and organize the first game, but historians have found no evidence supporting these claims.
The real origins of baseball are far more complex, evolving from various British games like rounders and cricket. The Doubleday myth persisted because Americans wanted their national pastime to have a purely American origin story. Even after historians debunked the myth, Cooperstown became baseball’s official birthplace, and the National Baseball Hall of Fame was built there in 1939.
Fourth of July Fireworks: Borrowed from China
Americans consider fireworks an essential part of Independence Day celebrations, but the tradition has nothing uniquely American about it. Fireworks were invented in China over 1,000 years ago and were already common in European celebrations long before the American Revolution.
The first recorded use of fireworks in America was actually by Captain John Smith in 1608 in Jamestown, Virginia—168 years before the Declaration of Independence. British colonists brought European fireworks traditions with them, using pyrotechnics for royal celebrations and military victories.
John Adams did suggest that Independence Day should be celebrated with “illuminations,” but he was following established British traditions for marking important occasions. The connection between fireworks and American patriotism developed gradually, as communities repurposed existing celebration customs for their new national holiday. What feels uniquely American is actually an imported tradition with ancient Chinese origins.
The Gadsden Flag: Pro-Slavery Politician’s Creation

The famous “Don’t Tread on Me” flag with its coiled rattlesnake was created by Christopher Gadsden, a wealthy South Carolina planter and slave owner, during the American Revolution. Gadsden was a vocal defender of slavery who feared the British might free enslaved people as a war strategy.
Gadsden presented his flag to the South Carolina legislature in 1776, intending it as a symbol of colonial resistance to British authority. However, his concept of liberty specifically excluded the enslaved people who made up the majority of South Carolina’s population and much of Gadsden’s personal wealth.
The flag experienced a revival during the Tea Party movement of the 2000s, when protesters adopted it as a symbol of resistance to federal authority. This modern usage often ignores the historical irony that its creator fought for “liberty” while owning other human beings. The rattlesnake’s warning of “don’t tread on me” applied only to white colonists, not the enslaved people Gadsden kept in bondage.
The American Cowboy: Mexican Vaquero Roots
The iconic American cowboy, celebrated in countless movies and novels, actually originated from Mexican vaquero culture that existed centuries before American cattle ranching. Spanish colonists brought cattle and horseback riding techniques to Mexico in the 1500s, developing sophisticated ranching methods.
When American settlers moved into Texas and the Southwest, they learned cattle handling techniques from Mexican vaqueros. The lasso, chaps, spurs, and even the ten-gallon hat all came from Mexican traditions. Many “cowboy” words are anglicized Spanish terms: “lasso” from “lazo,” “ranch” from “rancho,” and “rodeo” from “rodear.”
The romanticized image of the lone American cowboy was largely created by dime novels and later Hollywood movies, which erased the multicultural reality of the American West. Real cowboys included many Mexican, African American, and Native American riders, but popular culture transformed this diverse workforce into a symbol of white American masculinity.
The Lincoln Memorial: Greek Temple Facing History

The Lincoln Memorial was deliberately designed to resemble a Greek temple, specifically the Parthenon in Athens, to connect Lincoln with ancient democratic ideals. Architect Henry Bacon chose the classical design to suggest Lincoln’s role in preserving American democracy during the Civil War.
The memorial’s positioning wasn’t accidental—it faces the Washington Monument and Capitol Building across the National Mall, creating a symbolic dialogue between Lincoln and the nation’s founding. The reflecting pool between the Lincoln Memorial and Washington Monument became the site of Martin Luther King Jr.’s “I Have a Dream” speech in 1963.
This positioning created a powerful historical resonance, as King stood with Lincoln’s statue behind him while calling for the fulfillment of promises Lincoln had made a century earlier. The memorial’s Greek temple design reinforced themes of democracy and equality that both Lincoln and King championed, though separated by 100 years.
Route 66: Marketing Campaign, Not Infrastructure

Route 66 became known as “The Main Street of America” not because of superior engineering or government planning, but due to aggressive marketing campaigns by small-town businesses along the route. The highway was actually just one of many numbered federal highways created in the 1920s.
Local business owners, especially in towns bypassed by major railroads, promoted Route 66 as a tourist destination to boost their economies. They created attractions, roadside diners, and motor courts specifically designed to appeal to automobile travelers heading west to California.
The highway’s fame grew through popular culture, particularly Nat King Cole’s song “Route 66” and later the television series of the same name. By the time Interstate 40 replaced most of Route 66 in the 1960s, the road had become more symbol than substance—representing American mobility and freedom rather than efficient transportation.
Thanksgiving: Civil War Propaganda Tool

The “First Thanksgiving” narrative about Plymouth pilgrims and Native Americans sharing a harvest feast in 1621 wasn’t established as national mythology until President Abraham Lincoln declared Thanksgiving a national holiday in 1863, during the Civil War.
Lincoln used Thanksgiving as propaganda to promote national unity during America’s most divisive conflict. He needed symbols of American harmony and cooperation to counteract the reality of a nation tearing itself apart. The Plymouth story provided an idealized origin narrative about different peoples coming together peacefully.
The 1621 event the Pilgrims recorded was actually a three-day political negotiation between Wampanoag leader Massasoit and Plymouth governor William Bradford, not a friendly dinner party. The Wampanoag brought 90 warriors—three times the number of colonists—suggesting a diplomatic

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