Songs That Were Almost Banned but Made History

Image Credit: Wikimedia Commons

Songs That Were Almost Banned but Made History

Christian Wiedeck, M.Sc.
Latest posts by Christian Wiedeck, M.Sc. (see all)

“Strange Fruit” by Billie Holiday: The Song That Shook America

“Strange Fruit” by Billie Holiday: The Song That Shook America (image credits: wikimedia)
“Strange Fruit” by Billie Holiday: The Song That Shook America (image credits: wikimedia)

In 1939, Billie Holiday’s haunting “Strange Fruit” exploded onto the jazz scene with a raw honesty that was unheard of for its time. The lyrics, describing the lynching of Black Americans in the South, sparked outrage and discomfort among radio stations and government officials. Many stations outright refused to play it, fearing backlash and accusations of inciting unrest. The song’s writer, Abel Meeropol, was himself the subject of scrutiny. Despite attempts to silence it, “Strange Fruit” became an anthem for the Civil Rights Movement. According to the Library of Congress, it’s one of the most influential songs in American history. Even today, it’s regularly cited in discussions about music’s role in social change.

“Lola” by The Kinks: Gender Bending on the Airwaves

“Lola” by The Kinks: Gender Bending on the Airwaves (image credits: wikimedia)
“Lola” by The Kinks: Gender Bending on the Airwaves (image credits: wikimedia)

Released in 1970, “Lola” by The Kinks caused quite a stir with its subject matter—a romantic encounter with a transgender woman. BBC radio famously considered banning it, not for its bold lyrics, but initially because the song mentioned “Coca-Cola,” a brand name, which violated their policies. After Ray Davies flew from New York to London just to re-record the lyric as “cherry cola,” the song was allowed to air. Despite the controversy, “Lola” soared to the top of charts worldwide. The song is now considered a cultural milestone in the conversation about gender identity.

“God Save the Queen” by Sex Pistols: Punk’s Royal Rebellion

“God Save the Queen” by Sex Pistols: Punk’s Royal Rebellion (image credits: wikimedia)
“God Save the Queen” by Sex Pistols: Punk’s Royal Rebellion (image credits: wikimedia)

The Sex Pistols’ “God Save the Queen” was released during Queen Elizabeth II’s Silver Jubilee in 1977. The song’s sneering tone and provocative lyrics, calling the monarchy a “fascist regime,” were enough to send shockwaves through Britain. The BBC banned it from radio and TV, and some major retailers refused to sell it. Nonetheless, it shot up to No. 2 on the UK Singles Chart, with many fans believing it was deliberately kept from No. 1. Decades later, it’s still an anthem for punk rebellion and freedom of speech.

“Imagine” by John Lennon: Dreaming of a Different World

“Imagine” by John Lennon: Dreaming of a Different World (image credits: wikimedia)
“Imagine” by John Lennon: Dreaming of a Different World (image credits: wikimedia)

John Lennon’s “Imagine” is one of the most beloved songs of the 20th century, but not everyone embraced its utopian vision. The song was blacklisted in parts of the U.S. after the September 11 attacks due to its lyric, “Imagine there’s no heaven.” Some stations claimed it was unpatriotic or anti-religious. Despite this, “Imagine” has been covered by hundreds of artists, and Rolling Stone ranked it third on their list of “The 500 Greatest Songs of All Time.” Its hopeful message continues to resonate worldwide.

“Relax” by Frankie Goes to Hollywood: Too Hot for the BBC

“Relax” by Frankie Goes to Hollywood: Too Hot for the BBC (image credits: wikimedia)
“Relax” by Frankie Goes to Hollywood: Too Hot for the BBC (image credits: wikimedia)

When “Relax” hit the airwaves in 1983, its suggestive lyrics and energetic beat quickly made it a hit—and a target for censors. The BBC banned it after a DJ, Mike Read, refused to play it on air, calling the lyrics obscene. Rather than fading, the song became even more popular, reaching No. 1 on the UK Singles Chart and staying there for five weeks. “Relax” is now a staple of 1980s pop and proof that banning a song can make it more popular.

“Louie Louie” by The Kingsmen: The FBI’s Rock ‘n’ Roll Investigation

“Louie Louie” by The Kingsmen: The FBI’s Rock ‘n’ Roll Investigation (image credits: wikimedia)
“Louie Louie” by The Kingsmen: The FBI’s Rock ‘n’ Roll Investigation (image credits: wikimedia)

“Louie Louie,” released in 1963, might seem like a harmless party tune, but its slurred vocals led to rumors that the lyrics were obscene. The FBI launched an investigation that lasted over two years, even analyzing the record at different speeds, but found nothing explicit. Despite—or because of—the controversy, “Louie Louie” became an anthem for rock ‘n’ roll rebellion. It has been covered by over 1,500 artists and is recognized by the Rock and Roll Hall of Fame as one of the “500 Songs that Shaped Rock and Roll.”

“Cop Killer” by Body Count: Music Meets Political Turmoil

“Cop Killer” by Body Count: Music Meets Political Turmoil (image credits: wikimedia)
“Cop Killer” by Body Count: Music Meets Political Turmoil (image credits: wikimedia)

In 1992, Body Count’s “Cop Killer,” fronted by Ice-T, ignited a nationwide debate on censorship. Politicians, police groups, and even President George H.W. Bush condemned the song, claiming it incited violence against police officers. Retailers like Time Warner faced boycotts and public pressure. Eventually, the band removed the song from the album, but the firestorm sparked a broader conversation about freedom of expression in America. “Cop Killer” remains a powerful example of music’s ability to provoke—and endure—controversy.

“Blowin’ in the Wind” by Bob Dylan: The Voice of Civil Rights

“Blowin’ in the Wind” by Bob Dylan: The Voice of Civil Rights (image credits: wikimedia)
“Blowin’ in the Wind” by Bob Dylan: The Voice of Civil Rights (image credits: wikimedia)

Bob Dylan’s “Blowin’ in the Wind” is widely regarded as an anthem of the Civil Rights Movement. However, in the early 1960s, some radio stations hesitated to play it due to its pointed questions about peace, war, and racial injustice. The song’s subtle but direct criticism of the status quo made some networks nervous. Despite the pushback, it became a chart-topper and helped cement Dylan’s place as a leading voice of protest music. Today, it’s considered one of the greatest songs ever written, cited by the Grammy Hall of Fame and the National Recording Registry.

“Fight the Power” by Public Enemy: Challenging Authority

“Fight the Power” by Public Enemy: Challenging Authority (image credits: wikimedia)
“Fight the Power” by Public Enemy: Challenging Authority (image credits: wikimedia)

Public Enemy’s “Fight the Power,” released in 1989, was an unapologetic call to challenge systemic racism and authority. The song’s aggressive message and references to controversial figures led to widespread debate. Some radio programmers and MTV initially hesitated to play it, concerned about its impact on listeners. But the song’s use in Spike Lee’s film “Do the Right Thing” and its infectious energy made it impossible to ignore. In 2021, Rolling Stone ranked it No. 2 on their “Greatest Songs of All Time” list.

“Smack My B**** Up” by The Prodigy: Crossing the Line?

“Smack My B**** Up” by The Prodigy: Crossing the Line? (image credits: wikimedia)
“Smack My B**** Up” by The Prodigy: Crossing the Line? (image credits: wikimedia)

When The Prodigy released “Smack My B**** Up” in 1997, its provocative title and explicit content led to bans from multiple radio and TV stations worldwide. Critics accused the group of glorifying violence against women, while the band argued it was about “doing anything intensely.” Despite the backlash, the song climbed the charts and its controversial music video won awards, including Best Dance Video at the MTV Video Music Awards. The debate around it continues, but the song’s legacy as a boundary-pusher in electronic music remains.

“Walk on the Wild Side” by Lou Reed: A Subversive Classic

“Walk on the Wild Side” by Lou Reed: A Subversive Classic (image credits: wikimedia)
“Walk on the Wild Side” by Lou Reed: A Subversive Classic (image credits: wikimedia)

Lou Reed’s “Walk on the Wild Side” was scandalous in 1972 for its frank references to transgender individuals, drug use, and sex work. Many radio stations hesitated, fearing backlash for playing something so openly subversive. Despite this, the song became a hit, peaking at No. 16 on the Billboard Hot 100. Its lasting influence is seen today in how it helped bring conversations about gender and sexuality into the mainstream. The song is now in the Grammy Hall of Fame and remains a symbol of defiance and acceptance.

“Like a Prayer” by Madonna: Blurring Lines Between Faith and Art

“Like a Prayer” by Madonna: Blurring Lines Between Faith and Art (image credits: wikimedia)
“Like a Prayer” by Madonna: Blurring Lines Between Faith and Art (image credits: wikimedia)

Madonna’s “Like a Prayer,” released in 1989, immediately stirred controversy with its religious imagery and themes. The Vatican condemned the music video, and Pepsi dropped a lucrative endorsement deal with Madonna after public uproar. Many religious groups called for bans, and some networks limited its airtime. Despite—or perhaps because of—the scandal, the song raced to No. 1 in over 20 countries. It’s now regarded as one of Madonna’s greatest artistic triumphs, blending pop music with bold commentary on faith and identity.

“Money for Nothing” by Dire Straits: Controversial Lyrics, Lasting Power

“Money for Nothing” by Dire Straits: Controversial Lyrics, Lasting Power (image credits: wikimedia)
“Money for Nothing” by Dire Straits: Controversial Lyrics, Lasting Power (image credits: wikimedia)

Dire Straits’ “Money for Nothing” topped charts in the 1980s, but its use of a homophobic slur in the lyrics led to bans in Canada and edits for radio play in other countries. The band stated the lyrics were meant to satirize the attitudes of working-class men, not endorse them. The Canadian Broadcast Standards Council briefly banned the original version in 2011, but public backlash led to the decision being reversed. The song remains a staple of classic rock, illustrating how debates over language and intent continue to shape music history.

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