The Unsung Hero: The Second-Best Single on Every Iconic Album — And Why It Matters

Image Credit: Wikimedia Commons

The Unsung Hero: The Second-Best Single on Every Iconic Album — And Why It Matters

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Michael Jackson – Thriller (1982): “Beat It”

Michael Jackson - Thriller (1982):
Michael Jackson – Thriller (1982): “Beat It” (image credits: wikimedia)

Everyone knows “Billie Jean,” but it’s “Beat It” that truly electrified Thriller’s legacy. “Beat It” wasn’t just another pop song. It smashed through genre walls, fusing rock and R&B in a way nobody expected. Eddie Van Halen’s guitar solo was a gutsy move—something unheard of on a Michael Jackson record. Suddenly, Thriller wasn’t just for pop lovers; rock fans found themselves drawn in, too. The energy is raw, almost rebellious, proving Jackson wasn’t afraid to take risks. This song’s universal appeal helped make Thriller the best-selling album ever. It’s the track that said, “This album does it all,” and meant it.

Nirvana – Nevermind (1991): “Come As You Are”

Nirvana - Nevermind (1991):
Nirvana – Nevermind (1991): “Come As You Are” (image credits: wikimedia)

While “Smells Like Teen Spirit” ripped a hole in the music world with its wild, anarchic spirit, “Come As You Are” offered a softer, more mysterious side of Nirvana. The song’s watery guitar riff feels like peering through a rainy window, inviting you in but keeping some secrets. Its lyrics are less angry, more searching, and quietly haunting. This isn’t just grunge noise it’s a melodic journey that shows Kurt Cobain’s songwriting had depth far beyond angst. “Come As You Are” became an anthem for outsiders, for anyone who didn’t fit in proof that Nevermind wasn’t just a fluke, but a record full of layers. It’s the reason we still talk about the album as a whole, not just one song.

Queen – A Night at the Opera (1975): “You’re My Best Friend”

Queen - A Night at the Opera (1975):
Queen – A Night at the Opera (1975): “You’re My Best Friend” (image credits: wikimedia)

“Bohemian Rhapsody” is Queen’s crown jewel—an operatic showstopper that changed music forever. But “You’re My Best Friend” is the heart that keeps the album beating. Penned by bassist John Deacon, the song is a pure, joyful expression of friendship and love, contrasting the drama of “Bohemian Rhapsody.” Its catchy melody and bright harmonies reveal Queen’s talent for perfect pop, not just grand theatricality. The song’s warmth made the album approachable, balancing out its wildest moments. Without this track, A Night at the Opera might be seen as just an experiment. Instead, it’s remembered for its range—thanks to this unsung hero.

Fleetwood Mac – Rumours (1977): “Dreams”

Fleetwood Mac - Rumours (1977):
Fleetwood Mac – Rumours (1977): “Dreams” (image credits: wikimedia)

“Go Your Own Way” is the fiery breakup track everyone belts out, but “Dreams” is the slow-burning soul of Rumours. Stevie Nicks brings a haunting, mystical energy, her voice floating over a hypnotic groove. The song’s gentle sadness offers a quiet counterpoint to the record’s louder fights. It’s as if you’re seeing the other side of the argument—a softer, more contemplative look at heartbreak. “Dreams” became the band’s only U.S. number one, speaking to its understated power. This track proves Rumours isn’t just about drama; it’s about vulnerability, too. That delicate balance is why the album endures.

Amy Winehouse – Back to Black (2006): “Tears Dry On Their Own”

Amy Winehouse - Back to Black (2006):
Amy Winehouse – Back to Black (2006): “Tears Dry On Their Own” (image credits: wikimedia)

“Rehab” announced Amy Winehouse as a force of nature, full of defiance and swagger. But “Tears Dry On Their Own” digs deeper, revealing wounds underneath the bravado. Its Motown-inspired beat and bittersweet lyrics blend old-school soul with modern pain. Amy’s vulnerability pours through every line, turning heartbreak into something almost triumphant. This track showcases her range, not just as a singer, but as a storyteller. It’s the song that proves Back to Black isn’t a one-note throwback; it’s a raw, confessional masterpiece. When you hear it, you feel like Amy’s letting you into her world messy, complicated, and utterly real.

The Beatles – Sgt. Pepper’s Lonely Hearts Club Band (1967): “Lucy in the Sky with Diamonds”

The Beatles - Sgt. Pepper’s Lonely Hearts Club Band (1967):
The Beatles – Sgt. Pepper’s Lonely Hearts Club Band (1967): “Lucy in the Sky with Diamonds” (image credits: unsplash)

It’s hard to pick a single from such a boundary-smashing album, but “A Day in the Life” stands as the record’s peak. Yet, “Lucy in the Sky with Diamonds” brings a wild, childlike sense of wonder to the mix. Its swirling, psychedelic sound is like falling down a rabbit hole—strange, colorful, and unpredictable. The lyrics paint a dreamscape that’s both whimsical and a little unsettling. This song highlights the album’s playful, experimental side, showing that The Beatles were just as interested in fantasy as they were in revolution. It reminds listeners that Sgt. Pepper is a world to get lost in, not just a collection of songs.

Carole King – Tapestry (1971): “I Feel The Earth Move”

Carole King - Tapestry (1971):
Carole King – Tapestry (1971): “I Feel The Earth Move” (image credits: wikimedia)

“It’s Too Late” captures heartbreak with stunning maturity, but “I Feel The Earth Move” kicks off Tapestry with explosive energy. The piano-driven groove is infectious, Carole King’s voice brimming with excitement and power. It’s a song about passion, about feeling so alive that the ground itself shifts beneath your feet. This track proves King wasn’t just a master of ballads—she could rock out with the best of them. The contrast between this song and the album’s softer moments reveals King’s full emotional range. It’s the jolt that keeps Tapestry moving, making it a journey rather than a lullaby.

Prince – Purple Rain (1984): “Let’s Go Crazy”

Prince - Purple Rain (1984):
Prince – Purple Rain (1984): “Let’s Go Crazy” (image credits: wikimedia)

“Purple Rain” is the iconic ballad, the song everyone remembers. But without “Let’s Go Crazy,” the album would miss its wild, celebratory opening. The track bursts in with a sermon-like intro before exploding into a party of guitar riffs and contagious energy. Prince’s fearless blending of funk, rock, and pop is on full display here. “Let’s Go Crazy” sets the tone for the whole album, inviting listeners to embrace chaos and joy. It shows Prince wasn’t just about drama and heartbreak—he was about living life to the fullest, with every color on the palette.

U2 – The Joshua Tree (1987): “I Still Haven’t Found What I’m Looking For”

U2 - The Joshua Tree (1987):
U2 – The Joshua Tree (1987): “I Still Haven’t Found What I’m Looking For” (image credits: wikimedia)

“With or Without You” is the emotional centerpiece that catapulted U2 into superstardom. Yet “I Still Haven’t Found What I’m Looking For” digs into restlessness and spiritual longing. Its gospel-infused chorus and searching lyrics offer a sense of hope and yearning. The song’s open-ended quest for meaning gives The Joshua Tree its depth, showing U2’s willingness to wrestle with big questions. It’s this track that turns the album into a pilgrimage, rather than just a collection of anthems. That searching quality is what makes the album resonate, even decades later.

Beyoncé – Lemonade (2016): “Hold Up”

Beyoncé - Lemonade (2016):
Beyoncé – Lemonade (2016): “Hold Up” (image credits: wikimedia)

“Formation” was the statement piece that sparked conversation and controversy, but “Hold Up” is where Lemonade’s emotional complexity shines. With its reggae rhythms and playful hooks, “Hold Up” mixes humor with heartbreak. Beyoncé’s delivery is both vulnerable and defiant, making you feel every twist of her emotional rollercoaster. The song’s catchy melody draws you in, but the lyrics keep you thinking—about love, betrayal, and healing. “Hold Up” proves Lemonade isn’t just a protest album; it’s a deeply personal exploration of resilience. It’s the track that brings color and nuance to the album’s boldest themes.

Radiohead – OK Computer (1997): “Karma Police”

Radiohead - OK Computer (1997):
Radiohead – OK Computer (1997): “Karma Police” (image credits: wikimedia)

“Paranoid Android” is the mind-bending epic that defines OK Computer’s alien landscape. Yet “Karma Police” offers a different kind of brilliance—cool, haunting, and almost hypnotic. The song’s steady build and cryptic lyrics create a sense of quiet menace, as if you’re gliding through a dystopian dream. Its singable chorus and dark humor make it accessible, even as it hints at deeper anxieties. “Karma Police” gives the album its balance, showing Radiohead can be both experimental and deeply melodic. It’s the track that sticks with you, quietly echoing long after the last note fades.

Bruce Springsteen – Born in the U.S.A. (1984): “Dancing in the Dark”

Bruce Springsteen - Born in the U.S.A. (1984):
Bruce Springsteen – Born in the U.S.A. (1984): “Dancing in the Dark” (image credits: wikimedia)

“Born in the U.S.A.” is the anthemic title track that everyone recognizes, but “Dancing in the Dark” brought Springsteen’s sound into the modern era. The song’s synth-driven beat and restless lyrics captured the frustration of wanting more from life. It’s a dance song with a restless heart, making it both fun and deeply relatable. “Dancing in the Dark” became a massive hit on its own, proving that the album had more layers than just patriotic bravado. It’s the song that brought Springsteen to a new generation, blending old-school storytelling with fresh energy.

Madonna – Like a Prayer (1989): “Express Yourself”

Madonna - Like a Prayer (1989):
Madonna – Like a Prayer (1989): “Express Yourself” (image credits: wikimedia)

“Like a Prayer” shocked and inspired with its bold blend of religion and pop, but “Express Yourself” became an anthem of empowerment. The song’s driving beat and message of self-worth struck a chord, especially with women. Madonna’s playful, commanding vocals make it impossible to ignore. “Express Yourself” showed that Madonna was more than just controversy—she was a pop visionary who could inspire and uplift. The track’s influence can still be heard in countless empowerment anthems today. It’s the song that made the album feel revolutionary, not just provocative.

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