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“Amen, Brother” – The Winstons (1969)
Few songs have had an impact as explosive as “Amen, Brother” by The Winstons. Inside this otherwise modest soul track lies the “Amen Break,” a 6-second drum solo that has become the DNA of countless genres. It’s almost shocking how many songs you know—by acts like N.W.A., The Prodigy, and even David Bowie—are built on this powerful snippet. The break’s raw energy and perfect tempo have made it a favorite for hip-hop, jungle, and drum and bass producers since the 1980s. In fact, modern data shows that this break has been sampled in more than 5,000 songs, making it one of the most reused audio fragments ever. Despite its influence, The Winstons received almost no royalties, a fact that still frustrates music lovers and rights activists today. The story of “Amen, Brother” is both inspiring and bittersweet—a testament to how a few seconds of magic can shape the sound of decades.
“Funky Drummer” – James Brown (1970)
James Brown’s “Funky Drummer” is an undeniable monument in sampling history, powered by the legendary Clyde Stubblefield on drums. His syncopated, infectious groove is instantly recognizable, and it has echoed through the works of Public Enemy, N.W.A., and hundreds of others. The break has become a key ingredient in the recipe for hip-hop and R&B, and according to data from music databases, it has been sampled in more than 1,200 tracks. Producers are continually drawn to the tightness and clarity of this rhythm, which feels both timeless and modern. “Funky Drummer” is more than just a song; it’s a toolkit for beatmakers, and its influence shows no sign of slowing down. Even today, new artists find fresh ways to flip this classic break, keeping it alive in clubs, headphones, and radio stations worldwide.
“La Di Da Di” – Doug E. Fresh & Slick Rick (1985)
When Doug E. Fresh and Slick Rick released “La Di Da Di,” they probably didn’t expect it to become one of the most quoted and sampled songs of all time. With no instruments except for Doug’s beatboxing and Slick Rick’s storytelling, the song’s simple format turned out to be its superpower. Its catchy phrases have shown up in songs by The Notorious B.I.G., Snoop Dogg, and even pop stars like Miley Cyrus. The track’s playful tone and iconic lines (“La di da di, we like to party”) have been reworked in over 1,000 songs, according to music analytics. “La Di Da Di” proves that sometimes, the human voice alone can become a musical sample more powerful than any instrument. This track still inspires new artists to experiment with vocal samples and creative lyricism.
“Think (About It)” – Lyn Collins (1972)
Lyn Collins’ “Think (About It)” is instantly recognizable, thanks to its “Yeah! Woo!” shout and driving drum break. Produced by James Brown, this groove has made its way into more than 1,700 songs, including the iconic “It Takes Two” by Rob Base & DJ E-Z Rock. The sample’s energy and powerful rhythm have made it a top choice for producers looking to inject a track with excitement and familiarity. Its cultural impact is enormous—so many listeners have danced to this groove without ever knowing its source. “Think (About It)” continues to be rediscovered by younger generations, keeping its place as one of the most sampled, and beloved, tracks in music history.
“Impeach the President” – The Honey Drippers (1973)
With a snare drum that snaps like a whip and a groove impossible not to move to, “Impeach the President” by The Honey Drippers has become a legend in its own right. Its beat has been sampled in hundreds of tracks, including works by Nas, The Notorious B.I.G., and Dr. Dre. The song’s political undertone gave it an edge, but its most lasting legacy is in the world of hip-hop, where producers use its crisp snare and funky rhythm to lay the foundation for new hits. Music tracking platforms estimate it has been sampled over 800 times. The story of “Impeach the President” is proof that, sometimes, the drummer behind the scenes shapes the soundtrack of generations.
“Change the Beat” – Fab 5 Freddy/B-Side by Beside (1982)
“Ahhh, this stuff is really fresh!” If you’ve ever heard a DJ scratch, chances are you’ve heard this iconic phrase from “Change the Beat.” This track, especially the B-side featuring Beside, became a staple in the world of turntablism. According to industry data, the phrase has been scratched and sampled in thousands of tracks, making it a critical tool for DJs and producers alike. Its use of the vocoder was groundbreaking at the time, and its influence extends into electronic, hip-hop, and even pop music. The song’s legacy is alive every time a DJ pulls off a scratch routine—reminding us how one voice, warped by technology, can help define an entire art form.
“Apache” – Incredible Bongo Band (1973)
“Apache” by the Incredible Bongo Band is often called the “national anthem of hip-hop.” Its wild, rolling percussion became the heartbeat of breakdancing and early hip-hop parties. DJs like Kool Herc and Grandmaster Flash made careers off the strength of this drum break, looping it live at street parties. It’s been sampled in thousands of songs, from The Sugarhill Gang’s “Apache” to Missy Elliott’s hits. The power of “Apache” lies in its ability to bring people together, as dancers, rappers, and producers all found inspiration in its relentless energy. The song’s place in music history is secure—its rhythm is as fresh today as it was five decades ago.
“Synthetic Substitution” – Melvin Bliss (1973)
Melvin Bliss’s “Synthetic Substitution” is one of those songs you might not recognize by name, but you’ve almost certainly heard its drums. The breakbeat from this track is a go-to sample for hip-hop producers, and it’s been used in hits by N.W.A., Naughty by Nature, and countless others. Over 800 songs have been built on its foundation according to major music sampling databases. Its crisp, punchy groove is perfect for layering with raps or melodies, making it one of the most versatile samples ever. The reach of “Synthetic Substitution” shows how a single, well-played drum pattern can ripple outwards and influence entire generations of music.
“Nautilus” – Bob James (1974)
Bob James’s “Nautilus” is a jazzy, mysterious tune that found new life as a sample goldmine. With its swirling keys, deep bass, and atmospheric vibe, it’s been sampled by artists ranging from Eric B. & Rakim to Ghostface Killah. Over 350 songs have used pieces of “Nautilus,” turning a mellow jazz-fusion number into a backbone for hip-hop, R&B, and even electronic tracks. Producers love its moody, cinematic feel; it’s like the perfect secret ingredient for creating something unique. “Nautilus” shows that sampling isn’t just about drums—it’s about finding moments in music that can be transformed into something completely new.
“The Big Beat” – Billy Squier (1980)
“The Big Beat” by Billy Squier is instantly recognizable for its thunderous, booming drums. This opening has been sampled by Jay-Z, Run-DMC, Alicia Keys, and many more, with over 300 songs borrowing its massive sound. The track’s punchy, aggressive energy makes it a favorite for building anthems that demand attention. Producers often use its drums to create a sense of power and confidence, whether in hip-hop, pop, or rock. The popularity of “The Big Beat” proves that a great rhythm section can become immortal, echoing through speakers long after its original release.
“Think Twice” – Donald Byrd (1974)
Donald Byrd’s “Think Twice” might sound mellow at first, but its bass line and groove have become a secret weapon for countless producers. A Tribe Called Quest, Main Source, and J Dilla are just a few of the artists who’ve sampled its unmistakable vibe. The song’s fusion of jazz and funk makes it endlessly appealing for those searching for something soulful to flip into a new context. More than 150 tracks have incorporated pieces of “Think Twice,” showing that even smooth, understated grooves can have an outsized impact on music’s evolution. It’s a testament to how sampling can bring hidden gems into the spotlight.
“Ashley’s Roachclip” – The Soul Searchers (1974)
“Ashley’s Roachclip” by The Soul Searchers offers a smooth, funky drum break that’s become iconic in its own right. Eric B. & Rakim, Run-DMC, and Milli Vanilli all tapped into its irresistible rhythm, and it’s been sampled in over 200 songs to date. The break’s laid-back but funky feel makes it perfect for hip-hop, R&B, and even pop tracks. What sets “Ashley’s Roachclip” apart is how easily it blends with other samples, creating endless possibilities for creative producers. The song’s influence is another reminder that sometimes, the magic is hiding in the groove.
“School Boy Crush” – Average White Band (1975)
Average White Band’s “School Boy Crush” is instantly recognizable for its bouncy rhythm section and playful funk. Early hip-hop and R&B acts gravitated toward its groove, with over 250 songs sampling its catchy bass and drum patterns. The track’s upbeat, funky feel made it a staple at block parties and dance floors alike. Producers like Dr. Dre and Ice Cube have used it to create hits that feel both nostalgic and fresh. “School Boy Crush” is proof that a great rhythm can become a cultural touchstone, inspiring creativity for decades.
“It’s a New Day” – Skull Snaps (1973)
“It’s a New Day” by Skull Snaps is a hidden gem that has become a sampling favorite for hip-hop producers. Its clean, funky breakbeat has been used by artists like Ol’ Dirty Bastard, The Pharcyde, and countless others—over 400 tracks in total, according to music tracking sites. The song’s punchy drums and infectious groove make it a perfect building block for everything from classic rap to modern pop. Despite its relative obscurity when first released, “It’s a New Day” has found a second life as one of the most important samples in music history.
“I Gotcha” – Joe Tex (1972)
Joe Tex’s “I Gotcha” is all about attitude, with a punchy rhythm and sharp vocal phrasing. Its energy caught the attention of hip-hop’s golden age, leading to samples in dozens of classic tracks. The song’s playful, almost mischievous feel makes it a fun and flexible sample, perfect for adding excitement to a new beat. Artists love its punch and swagger, which can instantly lift the mood of a track. “I Gotcha” serves as a reminder that sometimes, it’s the little details—a shout, a phrase, a snap—that make all the difference.
“Sing a Simple Song” – Sly & the Family Stone (1968)
“Sing a Simple Song” by Sly & the Family Stone is a deep well of funk grooves, and its beats have been sampled by everyone from the Beastie Boys to Janet Jackson. The song’s infectious rhythm and lively spirit have made it a favorite for producers seeking authentic funk energy. With more than 300 songs borrowing from its grooves, “Sing a Simple Song” is evidence of Sly Stone’s genius and his band’s enduring influence. The song’s timeless appeal comes from its joyful, communal vibe—a feeling that’s hard to replicate, but easy to sample.
“The Champ” – The Mohawks (1968)
The Mohawks’ “The Champ” is a sample powerhouse, with its signature organ line and driving drums showing up in hundreds of foundational hip-hop records. Artists like Eric B. & Rakim, Salt-N-Pepa, and even The Beastie Boys have built tracks around its infectious groove. The song’s playful, upbeat feel makes it a perfect fit for party anthems and club hits alike. With over 500 songs using its samples, “The Champ” continues to energize new generations of music lovers.
“I Know You Got Soul” – Bobby Byrd (1971)
Bobby Byrd’s “I Know You Got Soul” carries the unmistakable stamp of James Brown’s production, and its influence is felt in dozens of hip-hop classics. Eric B. & Rakim’s track of the same name is perhaps the most famous example, but the song’s driving beat and energetic vocals have made it a popular sample source for decades. Over 150 songs have drawn from “I Know You Got Soul,” cementing its place in the pantheon of must-have breaks and grooves. Its legacy is a testament to the power of soul and funk in building the foundation for modern music.
“Blind Alley” – The Emotions (1972)
“Blind Alley” by The Emotions is a lush, soulful track whose arrangement has been sampled by Mariah Carey, Big Daddy Kane, and dozens more. Its smooth, melodic progression provides a perfect backdrop for both rap verses and soaring vocals. The song’s emotional depth and rich instrumentation make it a favorite for producers seeking warmth and sophistication. With more than 100 songs featuring its samples, “Blind Alley” shows how even a soft touch can echo loudly through music history.
“Atomic Dog” – George Clinton (1982)
George Clinton’s “Atomic Dog” is pure funk genius, and its “Bow-wow-wow yippy-yo yippy-yay” chant has become an anthem for G-funk and West Coast hip-hop. Dr. Dre, Snoop Dogg, and Ice Cube have all used pieces of this track, helping to define the sound of an era. Its bouncy bassline and playful spirit have made it a staple for sampling, appearing in more than 300 songs according to music databases. “Atomic Dog” is more than just a sample source—it’s a celebration of P-Funk’s wild, creative energy, and it continues to inspire new artists to push boundaries.
Besides founding Festivaltopia, Luca is the co founder of trib, an art and fashion collectiv you find on several regional events and online. Also he is part of the management board at HORiZONTE, a group travel provider in Germany.
